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The four-piece band L'Rain is a presence on stage. Taja loops electric guitar and her voice, gorgeous falsetto hooks, whistling, laughter with incantatory ease, simultaneously playing low-register melodies on a vintage, foot-operated analog synth. Seated and often barefoot, she elicits confusion and curiosity by overwhelming audiences with as many ideas as possible. Incense is burned and passed to the crowd. Adorned in all-white apparel, Buz Donald (drums), Devin Starks (bass guitar), and Ben Katz (alto sax and synths) only elevate the spectacle, stretching and embellishing the blueprint ofL’Rainwith the energetic force of improvised jazz. 95 triple black is a work of catharsis. It's so earnest. On the springy and soulful "Why Can’t You Love Me?" she sings of a playful infatuation, how her cheeks flush when they look her way. "Best Friend" is a sweet duet with fellow Red Velvet member Seulgi. Originally conceived as a solo track, Wendy asked Seulgi to feature on it. "She was the first one who came to mind," she says. "Like, 'best friend?' Oh, that's Seulgi." They laid down the vocals together. And while it ultimately fortified their friendship, it was also a test of their closeness. "We were laughing too much," she laughs. "We've never had to sing to each other like that. Because the song is us singing to each other as best friends, right? It was too… lovely [intimate]."Like Water 95 triple black Eric says he is worried about what might be in store for the family should Jesus’s deportation go through this month. 95 triple black “No Place for Self-Pity, No Room for Fear.” There is a reason why authoritarians target writers, journalists, and artists as part of their attempt to wrest power from the people. It is because words matter. Words teach. Thus, words can be violence. They can brutalize. They can destroy. But they can also heal. They can build and they can transform. They can move us towards empathy and understanding. They can move us towards justice. 95 triple black